{"product_id":"the-nonesuch-guide-to-electronic-music-2xvinyl-boxset-near-mint-nm-or-m","title":"The Nonesuch Guide To Electronic Music (2xVINYL BOXSET) | Near Mint (NM or M-)","description":"\u003cp\u003e*PHOTOS ACTUAL*\u003c\/p\u003e\r\n\r\n\u003cp\u003eLIKE NEW ALL AROUND\u003c\/p\u003e\r\n\r\n\u003cp\u003eLabel:\u003cbr\u003e\r\nNonesuch – HC-73018\u003cbr\u003e\r\nFormat:\u003cbr\u003e\r\n2 x Vinyl, LP\u003cbr\u003e\r\nBox Set\u003cbr\u003e\r\nCountry:\u003cbr\u003e\r\nUS\u003cbr\u003e\r\nReleased:\u003cbr\u003e\r\n1968\u003cbr\u003e\r\nGenre:\u003cbr\u003e\r\nElectronic, Non-Music\u003cbr\u003e\r\nStyle:\u003cbr\u003e\r\nModern Classical, Experimental, Education, Sound Collage\u003cbr\u003e\r\nA1        I. Peace Three    3:08\u003cbr\u003e\r\nII. Signal Generators    \u003cbr\u003e\r\nA. Sine Waveform    \u003cbr\u003e\r\nA2a        1. Slow-Motion Audible Example    0:05\u003cbr\u003e\r\nA2b        2. Composition    0:50\u003cbr\u003e\r\nA2c        3. Harmonic Synthesis    0:33\u003cbr\u003e\r\nA2d        4. Non-Harmonic Synthesis    0:37\u003cbr\u003e\r\nB. Sawtooth Waveform    \u003cbr\u003e\r\nA3a        1. Slow-Motion (Negative- And Positive-Going)    0:12\u003cbr\u003e\r\nA3b        2. Composition    0:34\u003cbr\u003e\r\nC. Rectangular Waveform    \u003cbr\u003e\r\nA4a        1. Slow-Motion Audible Example (1\/8-1\/2)    0:28\u003cbr\u003e\r\nA4b        2. Composition (Using 1\/8, 1\/7, 1\/3, 1\/2)    0:35\u003cbr\u003e\r\nD. Triangular Waveform    \u003cbr\u003e\r\nA5a        1. Slow-Motion Audible Example    0:05\u003cbr\u003e\r\nA5b        2. Composition    0:20\u003cbr\u003e\r\n-    \u003cbr\u003e\r\nA6        E. White Sound Composition    0:13\u003cbr\u003e\r\nIII. Control Generators    \u003cbr\u003e\r\nA7a        A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion    0:08\u003cbr\u003e\r\nA7b        B. Sequential Voltage Sources. Composition    1:55\u003cbr\u003e\r\nIV. Frequency Modulation    \u003cbr\u003e\r\nA. Keyboard Control    \u003cbr\u003e\r\nB1a        1. 12-Tone    0:32\u003cbr\u003e\r\nB1b        2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)    0:40\u003cbr\u003e\r\nB1c        3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)    0:31\u003cbr\u003e\r\nB1d        4. Portamento    0:23\u003cbr\u003e\r\n-    \u003cbr\u003e\r\nB2        B. Ribbon Control    0:30\u003cbr\u003e\r\nC. Periodic    \u003cbr\u003e\r\nB3a        1. Vibrato Ⓢ (Speed Increases As Pitch rises)    0:28\u003cbr\u003e\r\nB3b        2. Sine-Higher Frequency    0:27\u003cbr\u003e\r\nB3c        3. Sawtooth-Swept    0:38\u003cbr\u003e\r\nB3d        4. Rectangular 1\/2-Swept L2    0:32\u003cbr\u003e\r\nB3e        5. Triangular-Swept    0:31\u003cbr\u003e\r\nD. Periodics Combined    \u003cbr\u003e\r\nB4a        1. 3 Square Waves At Different Frequencies    0:28\u003cbr\u003e\r\nB4b        2. 3 Triangular Waves At Different Frequencies    0:37\u003cbr\u003e\r\nB4c        4 Different Waveforms 2L 2N 2V 2S At Different Frequencies    0:46\u003cbr\u003e\r\n-    \u003cbr\u003e\r\nB5        E. White Sound    0:12\u003cbr\u003e\r\nF. Transient    \u003cbr\u003e\r\nB6a        1. Up An Octave, Back To Pitch    0:17\u003cbr\u003e\r\nB6b        2. Up A 3rd, Back To Pitch    0:07\u003cbr\u003e\r\nB6c        3. Down An Octave, Back To Pitch    0:09\u003cbr\u003e\r\nB6d        4. Down A 3rd, Back To Pitch    0:13\u003cbr\u003e\r\nV. Amplitude Modulation    \u003cbr\u003e\r\nC1        A. Keyboard    0:13\u003cbr\u003e\r\nC2        B. Ribbon Controller    0:10\u003cbr\u003e\r\nC. Periodic    \u003cbr\u003e\r\nC3a        1. Tremolo    0:25\u003cbr\u003e\r\nC3b        2. Sine-Higher Frequencies (S Sweeping S)    0:47\u003cbr\u003e\r\nC3c        3. Sawtooth (Negative- And Positive-Going Swept)    1:20\u003cbr\u003e\r\nC3d        4. Rectangular-L2 Swept    0:28\u003cbr\u003e\r\nC3e        5. Triangular-Swept    0:50\u003cbr\u003e\r\nD. Periodics Combined    \u003cbr\u003e\r\nC4a        1. 4 Square    0:44\u003cbr\u003e\r\nC4b        2. 3 Triangular    0:23\u003cbr\u003e\r\nC4c        3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ    0:23\u003cbr\u003e\r\n-    \u003cbr\u003e\r\nC5        E. White Sound    0:38\u003cbr\u003e\r\nF. Transient    \u003cbr\u003e\r\nC6a        1. Slow    0:08\u003cbr\u003e\r\nC6b        2. With Rising Pitch    0:15\u003cbr\u003e\r\nC6c        3. ∧∧∧∧∧    0:14\u003cbr\u003e\r\nVI. Ring Modulation    \u003cbr\u003e\r\nA. Sine Waves    \u003cbr\u003e\r\nC7a        1. Series Of Sub-Audible Constants    2:00\u003cbr\u003e\r\nC7b        2. Tune In Parallel    0:40\u003cbr\u003e\r\nC7c        3. Tuned In Opposite Direction    0:30\u003cbr\u003e\r\n-    \u003cbr\u003e\r\nC8        B. Sawtooth    0:33\u003cbr\u003e\r\nC9        C. Rectangular L2    0:39\u003cbr\u003e\r\nVII. Filtering    \u003cbr\u003e\r\nD1        A. White Sound - With Fixed Filters Selected 3rd Octave    0:25\u003cbr\u003e\r\nB. White-Sound-Tuned Filters    \u003cbr\u003e\r\nD2a        1. Broad    0:43\u003cbr\u003e\r\nD2b        2. Sharp    0:25\u003cbr\u003e\r\n-    \u003cbr\u003e\r\nD3        C. Low-Frequency Sawtooth-Tuning Through Harmonics    1:05\u003cbr\u003e\r\nD4        D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics    0:50\u003cbr\u003e\r\nD5        E. Swept With Ribbon Controller    0:40\u003cbr\u003e\r\nF. Periodic    \u003cbr\u003e\r\nD6a        1. Sine-Timbre Vibrato Effect    0:25\u003cbr\u003e\r\nD6b        2. Sine-Variable Rate And Depth    0:36\u003cbr\u003e\r\nD6c        3. Sawtooth (Descending And Ascending)    0:50\u003cbr\u003e\r\nD6d        4. Rectangular\u003cbr\u003e\r\nG. Transient (Sawtooth With Transient Controlled Filter)    \u003cbr\u003e\r\nD7a        1. -----------------    0:12\u003cbr\u003e\r\nD7b        2. -----------------    0:10\u003cbr\u003e\r\nD7c        3. ------------------    0:09\u003cbr\u003e\r\nD7d        4. ------------------    0:08\u003cbr\u003e\r\nVIII. Tape Delay    \u003cbr\u003e\r\nD8        A. Single Repeat    0:13\u003cbr\u003e\r\nD9        B. Multiple Repeat    2:55\u003cbr\u003e\r\n-    \u003cbr\u003e\r\nD10        IX. Peace Three (Recap)    3:08\u003cbr\u003e\r\nPressed By – Allentown Record Co. Inc.\u003cbr\u003e\r\nArt Direction – William S. Harvey\u003cbr\u003e\r\nCover, Artwork By – Gene Szafran\u003cbr\u003e\r\nMastered By – RL*\u003cbr\u003e\r\nProducer – Bernard L. Krause*, Paul Beaver\u003cbr\u003e\r\nProducer [Production Coordinator] – Jason Farrow, Teresa Sterne\u003cbr\u003e\r\nDedication: \"To Denise \u0026amp; Robert A. Moog\"\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntroduction to and survey of electronic music.\u003cbr\u003e\r\nAll work realised on the Moog Series III Synthesizer.\u003cbr\u003e\r\nExcluding A1 and D10, each section is broken down into various examples.\u003cbr\u003e\r\nRecorded and processed with the Dolby A 301 Noise-Reduction System.\u003cbr\u003e\r\nReleased with a 16-page book which includes the musical score of the A1 track : Peace Three\u003c\/p\u003e\r\n\r\n\u003cp\u003e- Notes to the track titles-\u003cbr\u003e\r\nSome tracks are represented by graphical symbols that are not reproducible in unicode, especially the following:\u003c\/p\u003e\r\n\r\n\u003cp\u003eB3d: 'L2' is encircled.\u003cbr\u003e\r\nB4c: '2L', '2N', '2V', '2S' are all encircled\u003cbr\u003e\r\nB6a to B6d are preceded with a drawn line, all in a different shape\u003cbr\u003e\r\nC3d and C4c: 'L2' is encircled\u003cbr\u003e\r\nC6a is preceded by a drawn shaped line\u003cbr\u003e\r\nC6b is preceded by drawn angles\u003cbr\u003e\r\nC6c is approximated, but the inverted chevrons all show a different angle.\u003cbr\u003e\r\nC9: 'L2' is encircled.\u003cbr\u003e\r\nD7a and D7b are represented by drawn lines, slightly tilting.\u003cbr\u003e\r\nD7c and D7d are represented by drawn lines with a slight angle around the middle.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\"ARC\" in matrix indicates Allentown Record Company. Text is lightly etched, including the potential processing date, as noted on ARC page. \"RL\" in runout indicates Bob Ludwig. RL not present on side 4 runout and catalog number is hyphenated, other three sides are not.\u003cbr\u003e\r\n \u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eMedia Condition: Near Mint (NM or M-)\u003c\/li\u003e\n\u003cli\u003eGenre: EXPERIMENTAL\u003c\/li\u003e\n\u003cli\u003eFormat Type: 2xLP BOX\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Love Vinyl Records","offers":[{"title":"- EXPERIMENTAL \/ USED *NEAR MINT*","offer_id":45801809313826,"sku":"XZMMDB-7S3O-00","price":59.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/0371\/9970\/files\/experimental-used-near-mint_Xh3E3.jpg?v=1781989666","url":"https:\/\/www.wowcool.com\/products\/the-nonesuch-guide-to-electronic-music-2xvinyl-boxset-near-mint-nm-or-m","provider":"Wow Cool","version":"1.0","type":"link"}