Boy Meets Girl was envisioned as a soundtrack to an imagined horror
film about love. The core of the ensemble’s song structures are often built
around Koki’s fuzz-laden guitar and Shin’s drum bombast which propel
torrents of hisses and squelches from Taro and Etsuo. Taichi’s largely lyricless screams, moans, and whimpers are potent messengers of the songs’
emotional heft. There lies an ecstatic, excited energy amidst the anarchic
defiance ENDON’s music exudes. Born of the same Japanese scenes that
gave rise to the likes of Merzbow and Boredoms, their sound is equally
diverse and abrasive. Boy Meets Girl demonstrates ENDON’s singular
faculty to produce music that is at once tortured and transcendent
