David Small’s long-awaited graphic novel is a savage portrayal of male adolescence gone awry like no other work of recent fiction or film.
Wildly kaleidoscopic and furiously cinematic, Home After Dark is a literary tour-de-force that renders the brutality of adolescence in the so-called nostalgic 1950s, evoking such classics as The Lord of the Flies. Thirteen-year-old Russell Pruitt, abandoned by his mother, follows his father to sun-splashed California in search of a dream. Suddenly forced to fend for himself, Russell struggles to survive in Marshfield, a dilapidated town haunted by a sadistic animal killer and a ring of malicious boys who bully Russell for being “queer.” Rescued from his booze-swilling father by Wen and Jian Mah, a Chinese immigrant couple who long for a child, Russell betrays their generosity by running away with their restaurant’s proceeds. Told almost entirely through thousands of spliced images, once again “employ angled shots and silent montages worthy of Alfred Hitchcock” (Washington Post, on Stitches), Home After Dark becomes a new form of literature in this shocking graphic interpretation of cinema verité.
