Francisco Koppens has a dying profession, a dying religion, lives in a dying home and has dying thoughts. He is a Portuguese architectural draughtsman living in London who believes he is destined to commit suicide. He talks to his wife but she doesn’t answer back. He does erotic comics as a private compulsion, only to cover them with black ink at the end. He ends up with black monochromes which he then tears to bits. The sign of the monochrome as self censorship permeates Koppens’ life. He visits endless art exhibitions, only to be smitten by dread and doubt. We follow him from depression to psychosis, and then back to a sort of starting point.
The Dying Draughtsman could be described as a fictive construction built on real, personal events lived through the life of the author.
Comic with English text. Portuguese text on the bottom of each page.
Includes interview with Francisco Sousa Lobo by Hugo Canoilas in English and Portuguese.
120 page two color paperback Chili com Carne, 2013
